No. 3 (2015): Cavell and History

Contributors to this issue discuss the relationship of Cavell's writings to some historical goings-on, whether in film-history, philosophical debate, or Vietnam.

Published: 2015-03-24

Full Issue

Articles

Editorial Comment

Sérgio Dias Branco, Amir Khan

1-2
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(And if cinema can do what Kant could not do, then where does that place us?) Five Remarks on Two of Stanley Cavell’s Parenthetical Questions, or, The Remains of the Spectator’s Condition

Miguel Amorim

3-20
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Romantic Affinities? Cavell on Opera, Film, and the Claim of Expression

João Pedro Cachopo

21-31
- PDF
Cavell and Hume on Skepticism, Natural Doubt, and the Recovery of the Ordinary

Peter S. Fosl

32-48
- PDF
Locating American Experience Cavell’s Paths to Film and Transcendentalism

Rachel Malkin

49-67
- PDF
The “War,” the “Troops,” and the Grammar of “Support”

Robert W. Tate

68-74
- PDF

No. 3 (2015): Cavell and History

Full Issue

Articles

Editorial Comment

(And if cinema can do what Kant could not do, then where does that place us?) Five Remarks on Two of Stanley Cavell’s Parenthetical Questions, or, The Remains of the Spectator’s Condition

Romantic Affinities? Cavell on Opera, Film, and the Claim of Expression

Cavell and Hume on Skepticism, Natural Doubt, and the Recovery of the Ordinary

Locating American Experience Cavell’s Paths to Film and Transcendentalism

The “War,” the “Troops,” and the Grammar of “Support”

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