The Reception of Ligeti, Post 2001: A Space Odyssey
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Références
Barham, Jeremy. “Incorporating Monsters: Music as Context, Character
and Construction in Kubrick’s The Shining” in Terror Tracks:
Music, Sound and Horror Cinema, ed. Philip Hayward .
London,UK: Equinox Publishing Ltd, 2009.
Bernard, Jonathan W. "Inaudible Structures, Audible Music: Ligeti's
Problem, and His Solution." Music Analysis. Vol. 6, no. 3 (Oct.,
1987): 207-236.
Gengaro , Christine Lee. Listening to Stanley Kubrick. Plymouth, UK:
Scarecrow Press, Inc., 2013.
Griffiths, Paul. "Ligeti, György." Grove Music Online. Oxford Music
Online. Oxford University Press, 2013 (Accessed November 19),
http://www.oxfordmusiconline.com.proxy.bib.uottawa.ca/subscri
ber/article/grove/music/16642.
Heile, Bjorn."Darmstadt as Other: British and American Responses to
Musical Modernism." Twentieth Century Music 1, no. 2 (2004)
pp. 161-178.
Heimerdinger, Julia. “I have been compromised. I am now fighting
against it”: Ligeti vs. Kubrick and the music for 2001: A Space
Odyssey.” Journal of Film Music. Vol. 3, No. 2 (2011) pp.127-
143.
Holloway, Robin. "Ligeti's Half-Century." Musical Times 145, (Winter
2004, 2004) pp. 54-64.
Lionnet, Leonard. "Music Unveiled: Mysteries of the Overlook:
Unraveling Stanley Kubrick's Soundtrack for "the Shining." Film
Score Monthly Vol. 9, no. 1 (Jan 2004) pp. 44.
McQuiston, Kate “An effort to decide”: More Research into Kubrick’s
Music Choices for 2001: A Space Odyssey”, Journal of Film
Music Vol. 3, No.2 (2011) pp. 145-154.
Merkley, Paul. “Stanley Hates This But I Like It!”: North vs. Kubrick on
the Music for 2001: A Space Odyssey”, Journal of Film Studies,
Vol. 2, No.1 (Fall 2007) pp. 1-34.
Platt, Russel. "Ears Wide Open." The Nation. Vol. 27, No. 19
(December 2003)pp. 54.
Rourke, Sean.“Ligeti's Early Years in the West.” The Musical Times.
Vol. 130, No. 1759 (Sep., 1989) pp. 532-535.
and Construction in Kubrick’s The Shining” in Terror Tracks:
Music, Sound and Horror Cinema, ed. Philip Hayward .
London,UK: Equinox Publishing Ltd, 2009.
Bernard, Jonathan W. "Inaudible Structures, Audible Music: Ligeti's
Problem, and His Solution." Music Analysis. Vol. 6, no. 3 (Oct.,
1987): 207-236.
Gengaro , Christine Lee. Listening to Stanley Kubrick. Plymouth, UK:
Scarecrow Press, Inc., 2013.
Griffiths, Paul. "Ligeti, György." Grove Music Online. Oxford Music
Online. Oxford University Press, 2013 (Accessed November 19),
http://www.oxfordmusiconline.com.proxy.bib.uottawa.ca/subscri
ber/article/grove/music/16642.
Heile, Bjorn."Darmstadt as Other: British and American Responses to
Musical Modernism." Twentieth Century Music 1, no. 2 (2004)
pp. 161-178.
Heimerdinger, Julia. “I have been compromised. I am now fighting
against it”: Ligeti vs. Kubrick and the music for 2001: A Space
Odyssey.” Journal of Film Music. Vol. 3, No. 2 (2011) pp.127-
143.
Holloway, Robin. "Ligeti's Half-Century." Musical Times 145, (Winter
2004, 2004) pp. 54-64.
Lionnet, Leonard. "Music Unveiled: Mysteries of the Overlook:
Unraveling Stanley Kubrick's Soundtrack for "the Shining." Film
Score Monthly Vol. 9, no. 1 (Jan 2004) pp. 44.
McQuiston, Kate “An effort to decide”: More Research into Kubrick’s
Music Choices for 2001: A Space Odyssey”, Journal of Film
Music Vol. 3, No.2 (2011) pp. 145-154.
Merkley, Paul. “Stanley Hates This But I Like It!”: North vs. Kubrick on
the Music for 2001: A Space Odyssey”, Journal of Film Studies,
Vol. 2, No.1 (Fall 2007) pp. 1-34.
Platt, Russel. "Ears Wide Open." The Nation. Vol. 27, No. 19
(December 2003)pp. 54.
Rourke, Sean.“Ligeti's Early Years in the West.” The Musical Times.
Vol. 130, No. 1759 (Sep., 1989) pp. 532-535.